Grade by Grade
B. Canada, 1914–1929 · Canada, 1914–1929

Jazz, Hockey and the Group of Seven: Arts and Popular Culture

B3.2 B3.1 B2.4 A1.2 A1.7About 70 minutes
Learning goals
  • I can describe significant changes in the arts and popular culture in Canada, 1914–1929.
  • I can explain the contributions of artists, writers and athletes such as the Group of Seven, Emily Carr, Mazo de la Roche, Stephen Leacock, Tom Longboat, Howie Morenz and Mary Pickford.
  • I can explain the goals of the temperance movement, the effects of prohibition and the role of rum running.
  • I can assess the growing influence of American culture on Canada.

Words to know

Group of Seven
A group of Toronto-based painters who first exhibited together in 1920 and became famous for bold paintings of the Canadian landscape.
popular culture
The entertainment and everyday culture enjoyed by many people: music, movies, sports, fashion and radio.
flapper
A young woman of the 1920s who challenged traditional rules with short hair, shorter skirts and new freedoms.
temperance
A movement that urged people to drink less alcohol or none, and supported banning it.
prohibition
A law banning the making and selling of alcohol.
rum running
Smuggling alcohol, especially from Canada into the United States during American prohibition.
cultural identity
The shared sense of who a people are, expressed through art, stories, sports, language and traditions.

A new mood

After the horror of the war, many young Canadians wanted something new: faster music, new dances, shorter hair, movies and sports. At the same time, artists and writers tried to define what was distinctly Canadian. Expectation B3.2 asks you to describe changes in the arts and popular culture and the people behind them.

Painting Canada: the Group of Seven and Emily Carr

In May 1920, seven Toronto painters held their first exhibition as the Group of Seven at the Art Gallery of Toronto: Lawren Harris, J. E. H. MacDonald, Arthur Lismer, Frederick Varley, Frank Johnston, Franklin Carmichael and A. Y. Jackson. Their friend Tom Thomson, who had died in 1917, had strongly influenced them. They painted the rocks, lakes and forests of Algonquin Park, Algoma, Georgian Bay and later the Rockies and the Arctic, in bold colours and strong shapes. Some critics at first called the paintings crude; over time they became symbols of a Canadian national art.

In British Columbia, Emily Carr painted the forests and the villages and carved poles of Northwest Coast First Nations. A 1927 National Gallery exhibition brought her work to national attention.

A historian's question: many of these paintings show the land as an empty wilderness. But these were (and are) the homelands of First Nations, such as the Anishinaabe in Algonquin and Algoma. What does an "empty" landscape suggest about who was seen as belonging?

Writing Canada

  • Stephen Leacock, a professor at McGill, was one of the best-known humorists in the English-speaking world; his Sunshine Sketches of a Little Town (1912) gently mocked small-town Ontario.
  • Mazo de la Roche of Toronto wrote Jalna (1927), the first of a popular series about an Ontario family; it won a large American literary prize.
  • L. M. Montgomery, author of Anne of Green Gables (1908), continued to publish, including Emily of New Moon (1923).
  • John McCrae's In Flanders Fields (1915) remained one of the most famous poems of the war.

Sport becomes a national passion

  • The National Hockey League was founded in Montreal in 1917. Stars such as Howie Morenz of the Montreal Canadiens drew huge crowds, and radio broadcasts brought hockey into homes.
  • Women's sports grew: the Ladies Ontario Hockey Association was formed in 1922, and the Edmonton Grads women's basketball team won game after game against teams from around the world.
  • The Nova Scotia fishing schooner Bluenose was launched in Lunenburg in 1921 and won the international fishing schooner races against American challengers through the 1920s and 1930s. It has been on the Canadian dime since 1937.
  • Tom Longboat, Onondaga from Six Nations of the Grand River, had been one of the world's best distance runners before the war (winning the Boston Marathon in 1907) and served as a dispatch runner in France.
  • At the 1928 Amsterdam Olympics, sprinter Percy Williams of Vancouver won gold in both the 100 m and 200 m, and Canada's women's track team, the "Matchless Six", won medals in the first Olympics that included women's track and field.
Canadian culture and sport, 1917–19281917NHL foundedin Montreal1920Group of Seven'sfirst exhibition1921Bluenoselaunched1922Ladies OntarioHockey Assoc.1923Hockey onthe radio1927Jalna wins amajor prize1928Olympic golds:Williams, Matchless Six
Key moments in Canadian culture and sport. Spacing is even, not to scale.

Changing social mores

Fashions changed fast: flappers wore their hair short (bobbed) and their skirts to the knee, danced the Charleston, and went out without chaperones. Jazz, born in African American communities in the United States, spread through dance halls and records. Older Canadians and many churches worried about the new freedoms. Movies, radio, magazines and cars gave young people more independence than their parents had had. (You will look at what this meant for women in the next lesson.)

Prohibition, temperance and rum running

The temperance movement, led by groups such as the Woman's Christian Temperance Union (WCTU), believed alcohol caused poverty, violence against women and children, and crime. During the war, almost every province banned the sale of alcohol, and in 1918 the federal government banned its manufacture and import for the rest of the war. After the war, provinces moved away from prohibition one by one: Quebec in 1919, British Columbia in 1921, and Ontario in 1927 (replacing the Ontario Temperance Act with government-run liquor stores). Prince Edward Island kept prohibition until 1948.

In the United States, prohibition lasted from 1920 to 1933. Canadian distilleries could often still make liquor legally for export, and much of it was smuggled across the border: by boat across the Detroit River from Windsor, from Nova Scotia and the French islands of Saint-Pierre and Miquelon, and across the Prairie border. Rum runners made fortunes; so did some distilling businesses, including the Bronfman family's company, which became one of the largest in the world. Prohibition showed the limits of banning something many people wanted, and it fed organized crime.

Canadiandistillery makesliquor legallyShipped outas a legalexportSmuggled acrossthe border, e.g.Detroit RiverSold illegallyin the U.S.(Prohibition1920–1933)
How Canadian liquor reached American customers during U.S. prohibition. The first steps were often legal in Canada; smuggling liquor into the U.S. and selling it there broke American law.

Canadian identity or American culture?

By the late 1920s, most movies Canadians watched, many magazines they read and many radio stations they heard came from the United States. Even Mary Pickford, born in Toronto, became a Hollywood star known as "America's Sweetheart". Some Canadians welcomed American culture as modern and fun; others worried Canada would lose its own identity. These worries led to the Aird Commission (1928–1929) on radio, and to support for Canadian artists and writers.

Canadian voicesAmerican influences•Group of Seven and Emily Carrpaint Canadian landscapes•Writers: Leacock, de la Roche,L. M. Montgomery•NHL stars such as Howie Morenz•Bluenose; Olympic athletes•Hollywood movies (evenToronto-born Mary Pickfordmade her career there)•Jazz, dances, fashions•Radio stations and magazines•Branch plants, cars, adsCanadians argued about whether American culture threatened a distinct Canadian identity.
Canadian culture in the 1920s was shaped by both home-grown voices and American influences, a debate that continues today.
Worked example

Modelled example: Analysing a painting as a primary source

Imagine a Group of Seven painting from the early 1920s showing a single wind-bent pine on a rocky shore of Georgian Bay, with no people. What can it tell a historian?

  1. Observe: bold colours, strong shapes, a rugged landscape, no people, no buildings.
  2. Context: painted after the war, when many Canadians wanted a distinct national identity separate from Britain; the artists wanted to paint Canada in a new, Canadian way rather than copying European styles.
  3. Purpose: to express the spirit of the Canadian land and to build a national art.
  4. What it reveals: how a group of English-Canadian, Toronto-based artists imagined Canada: as northern, rugged and wild.
  5. What it hides: that Georgian Bay is the homeland of Anishinaabe peoples; the cottages, mines and logging that were changing the land; the cities where most Canadians soon lived.

The painting is excellent evidence of how some Canadians in the 1920s imagined national identity, and weak evidence of what the land was actually like or who lived there.

Just for fun

The Bluenose was so successful that Canadians put it on the dime in 1937. That makes it probably the only racing champion most Canadians carry around in their pockets.

Hands-on activity

Design a 1920s Canadian magazine cover

You need: paper, coloured pencils or markers, and old magazines or a printer if available (with a grown-up's permission to cut them up; use scissors carefully).

  1. Design a cover for a Canadian magazine from 1927. Include: a main image (a hockey star, the Bluenose, a Group of Seven-style landscape, a flapper, or a radio), a headline and two smaller story titles.
  2. One story must be about something Canadian and one about the debate over American influence.
  3. On the back, write 100 words explaining your choices and naming two real people from the lesson.

Look for: accurate details from the 1920s and a clear point of view on Canadian identity.

Your turn

1

When and where did the Group of Seven first exhibit together?

2

Name four members of the Group of Seven.

3

What did Emily Carr paint?

4

When was the NHL founded?

5

What was the Bluenose?

6

What was the goal of the temperance movement?

7

What was rum running?

More practice: warm-up

1

Who wrote Jalna (1927)?

2

Which Toronto-born actress became "America's Sweetheart"?

3

Who won two gold medals in sprinting at the 1928 Olympics?

4

What was a flapper?

5

Which province kept prohibition until 1948?

More practice: on your own

1

Why did the Group of Seven become a symbol of Canadian identity?

2

Why did most provinces move away from prohibition in the 1920s?

3

How did American culture spread into Canada in the 1920s?

4

What criticism do some historians make of how the Group of Seven painted the land?

5

Why is Tom Longboat significant in Canadian sports history?

Challenge

1

Was American culture a threat to Canadian identity in the 1920s? Argue a position using at least three pieces of evidence.

2

Explain prohibition using cause and consequence, including one unintended consequence.

3

How did women's participation in sport in the 1920s reflect wider social change?

Check your understanding

Quiz

1.

Which group of painters first exhibited together in Toronto in 1920?

2.

Which sports league was founded in Montreal in 1917?

3.

What was rum running?

4.

Which organization campaigned for prohibition?

5.

Which statement about the 1920s is most accurate?

6.

Which British Columbia artist painted Northwest Coast First Nations villages and carved poles?

For parents and teachers

Big idea: This lesson covers B3.2 (changes in the arts and popular culture: the Group of Seven, movies, American influence, sports, prohibition) with individuals and groups from B3.1 (Bronfman, rum runners, the WCTU) and temperance organizations from B2.4.

How to help: Look up a few Group of Seven paintings and an Emily Carr painting online (the Art Gallery of Ontario and the National Gallery of Canada have them) and ask: What does this say about Canada? Who is missing? Watching a short clip of a 1920s silent film or listening to 1920s jazz can make the period real.

Common difficulties: Thinking prohibition was a single national law (it was mostly provincial); seeing American influence as all good or all bad.