Grade by Grade
A. Dance / C. Music · Music and Dance

Dance: Interpreting Central Themes in Literature

A1.2 A2.1 A2.2About 40 minutes
Learning goals
  • I can tell the difference between what happens in a story (the plot) and what it means (the theme).
  • I can find the central theme of a story, fable or poem.
  • I can create movement that shows a theme, not just the events.
  • I can construct and explain my own interpretation of a dance using dance words.

Words to know

plot
What happens in a story: the events in order.
theme
The big idea or message of a story, such as kindness matters or it is hard to belong. A theme can apply to many stories.
central theme
The most important theme in a text.
interpretation
Your own explanation of what something means, supported by evidence.
evidence
Details you saw or read that support your idea.
motif
A short movement that repeats through a dance and is linked to an idea or character.

Remember from Grade 5

In Grade 5 you used dance to explore and interpret literature. You created motifs (short movements that repeat) for characters and ideas, and you made personal connections to texts.

This year you go one step deeper. Instead of dancing what happens in a story, you will dance what the story means: its central theme.

Plot or theme?

The plot is the events: A lion catches a mouse. The mouse begs to be let go. Later, the mouse chews through a net to free the lion.

The theme is the big idea underneath: Even the smallest person can help. Kindness comes back to you.

A theme is usually a sentence, not one word. "Friendship" is a topic. "True friends help each other even when it is hard" is a theme.

To find a theme, ask:

  • What does the main character learn or change?
  • What problem do they face, and how is it solved?
  • What would the author want me to remember?
PLOTwhat happens(you can see it)A lion lets a mouse go.Later, the mouse chewsthe net to free the lion.THEMEthe big idea underneathEven the smallest personcan make a big difference.This is what you dance!water line
The plot is the tip of the iceberg: the events you can see. The theme is the much bigger idea underneath, and it is what you try to dance.
TextPlot (what happens)Possible central theme
The Lion and the Mouse (a fable from Aesop)A lion spares a mouse; later the mouse frees the lion from a hunter's net.Even small people can make a big difference; kindness is repaid.
The Tortoise and the Hare (a fable from Aesop)A fast hare naps during a race; the slow, steady tortoise wins.Steady effort can beat speed and showing off.
A story about a new student who sits alone until someone invites her to playA new student is left out, then included.Including others can change someone's whole day.
The same plot can have more than one theme. A good theme is supported by evidence from the text.

Dancing a theme

When you dance a theme, you do not have to act out every event. Choose movements that show the big idea.

  • Find two opposites in the theme. For kindness is repaid: being trapped versus being free; big versus small.
  • Create a motif for the theme. For example, a small, careful offering gesture with both hands (kindness). Repeat it, and change it a little each time.
  • Use the elements. Inclusion and exclusion can be shown with relationship: one dancer far from a group, with the group's backs turned (exclusion), then the group opens its circle and turns toward her (inclusion).
  • Show change. Themes are often about change. Make the beginning and end of your dance contrast: closed to open, low to high, alone to together.

Audience members then build their own interpretation. Two people can see different meanings, as long as they can point to evidence in the dance.

Beginningfar apart, backs turned(exclusion)The changeone dancer crossesthe space firstEndingnear, facing, in unison(inclusion)fargroup dancerleft-out dancerSeen from above. The point on each dancer shows which way they face.
Dancing the theme including others changes everything, seen from above. Relationship shows the change: far and turned away at the start, near and facing at the end.
Worked example

Example: Let's turn a fable's theme into a dance

Let's dance the central theme of The Lion and the Mouse: even the smallest person can make a big difference.

  1. Opposites in the theme: big and small; trapped and free; powerful and helpless.
  2. Big and small (body and space): the lion dancer uses wide, high, strong shapes. The mouse dancer uses small, low, quick shapes.
  3. The kindness motif: the lion slowly opens one paw (a hand), letting the mouse go: an opening gesture with sustained energy.
  4. Trapped: the lion's strong shapes become tight and twisted, at a low level, straining against an invisible net.
  5. The turnaround: the mouse repeats the lion's opening motif, but with tiny, quick, light movements, picking at the net. Bit by bit, the lion's shape opens up.
  6. Ending: the two dancers finish side by side at the same middle level: now they are equals.

The dance shows the theme, not just the story: the repeated opening motif links the two acts of kindness, and the change in level and size (big vs small, then equal) shows that the small character made a big difference.

Worked example

Example: Let's build and explain an interpretation

You watch a classmate's dance. Three dancers move in unison in a tight clump. A fourth dancer tries to copy them from far away, a few counts late. Twice the group turns its backs. At the end, one group member walks to the fourth dancer, they do the group's phrase together, and the others slowly join them. What is your interpretation?

  1. Describe what you saw (evidence): the unison group, the fourth dancer far away and late, the group turning their backs, one dancer crossing the space, everyone ending together.
  2. Look for the change: the dance moves from exclusion to inclusion.
  3. State your interpretation as a theme: It only takes one person to include someone, and then others follow.
  4. Connect the elements to the meaning: relationship (far, then near; backs turned, then facing); time (late, then in unison).

Interpretation: one act of including someone can change a whole group. Evidence: the change from far and late to near and in unison, and one dancer crossing the space first.

Just for fun

Q: Why did the tortoise from the fable never get a speeding ticket?

A: Slow and steady wins the race, and it also keeps a perfect driving record.

Hands-on activity

Dance a theme from your bookshelf

You need: a picture book, fable, short story or poem you know; paper and a pencil; a clear space. Safety: clear a space, move breakable things and slippery rugs away, and dance in bare feet or non-slip socks.

  1. Retell the plot in two sentences.
  2. Write the central theme as a full sentence. Check it: does it say what the story means, not what happens?
  3. List two opposites in the theme (for example, alone/together).
  4. Create a motif (a 4-count gesture) that stands for the theme. Plan how it will change from the start to the end of your dance.
  5. Make a 3-part dance (beginning, change, ending) of 16 to 24 counts.
  6. Perform it for someone at home without telling the title. Ask them for their interpretation and their evidence. Compare it with yours.

Your turn

1

What is the difference between a plot and a theme?

2

Is friendship a theme or a topic? Turn it into a theme.

3

Give a central theme for The Tortoise and the Hare.

4

How could you show exclusion using the element of relationship?

5

What is a motif, and why is it useful for showing a theme?

6

Two people give different interpretations of the same dance. Can both be right?

More practice: warm-up

1

What is a theme?

2

What is evidence?

3

Name two opposites that could help show the theme Everyone belongs.

4

Which element is used when a dancer goes from far to near a group?

5

Should a theme dance act out every event in the story?

More practice: on your own

1

Plot: A girl breaks her grandfather's favourite cup. She hides it, feels terrible, then tells the truth. Her grandfather hugs her. Write the central theme and one movement idea.

2

Write a full-sentence theme for a story about a team that loses every game but keeps practising and finally wins one.

3

Design a motif for the theme Small acts of kindness grow. How will it change through the dance?

4

A dancer ends a dance about belonging alone in a corner, facing away. Does the ending fit the theme Everyone belongs? Explain.

5

Explain how time (unison versus being late) can show inclusion and exclusion.

Challenge

1

Choose a fable or a story you know. Write its plot, its central theme, and plan a 3-part dance that shows the theme using at least three elements. Explain each choice.

2

A poem says: The maple stands through every storm, / its roots hold tight, its leaves stay warm, / and when the spring sun shines once more, / it's greener than it was before. What is a central theme? How could a dancer show it without acting like a tree?

3

Two classmates interpret your dance differently: one says it is about being lost, the other says it is about being free. How can you use their ideas to improve your dance, or decide that both are fine?

Check your understanding

Quiz

1.

Which is a theme, not a plot?

2.

"Friendship" is best described as ___.

3.

A short movement that repeats through a dance and stands for an idea is a ___.

4.

A group turns its backs on one dancer. This mostly shows ___.

5.

An interpretation of a dance is strongest when it is ___.

6.

To show the change in a theme like alone to together, a dancer should ___.

For parents and teachers

Big idea: Students use dance as a language to interpret and depict central themes in literature (A1.2), construct personal interpretations of dances that depict stories, issues and themes and explain them using dance terminology (A2.1), and analyse how the elements of dance communicate ideas (A2.2).

How to help at home:

  • When you read together, ask, "What happened?" (plot) and then "What is the story really about?" (theme). Help your child say the theme as a full sentence.
  • Watch your child's dance before hearing the explanation, and share your own interpretation with evidence: "I think it's about ___ because I saw ___."
  • Fables (Aesop's), picture books and short poems work well because their themes are clear.

Safety: clear a space, move breakable things and slippery rugs away, and dance in bare feet or non-slip socks.

Common difficulties:

  • Acting out the plot step by step. Ask, "What's the big idea? Show me just that."
  • One-word themes ("kindness"). Ask, "What about kindness?"
  • Interpretations with no evidence. Ask, "What did you see that made you think so?"