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Writing · Writing: Essays and Literary Analysis

Writing: Essays and Literary Analysis: Unit Review

1.1 1.2 1.4 1.5 2.1 2.2 2.3 2.4 2.5 2.6 2.7About 40 minutes
Learning goals
  • I can decode essay tasks and generate, organize and check content before drafting.
  • I can write literary analysis essays, including comparative essays, with complex theses and layered analysis.
  • I can write argumentative essays with qualified claims, credible evidence, explicit warrants and fair counterarguments.
  • I can refine voice, diction and sentences, reflect on my own perspective, and revise drafts to criteria.

Words to know

complex thesis
A thesis that explains a tension and offers an insight.
layered analysis
Analysis that moves from word to line to pattern to thesis.
warrant
The principle linking evidence to a claim.
steel man
The strongest, fairest version of an opposing view.
register
The level of formality in language.
thesis drift
When an essay's argument moves away from its stated thesis.

Let's review!

In this unit you learned to write the two essays at the centre of Grade 11 University English. You decoded essay tasks, generated and focused ideas into working theses, and organized and checked your content before drafting. You built a full literary analysis essay on In Flanders Fields, from close reading to a complex thesis, layered paragraphs, a comparative essay with Owen's Dulce et Decorum Est, and a complete draft with an alternative interpretation. You wrote argumentative essays with the Toulmin model, credible evidence, steel-man counterarguments and audience-aware voice. Then you refined voice and diction, sentence craft, critical literacy about your own perspective, and revision to criteria.

This review has three or four questions from every lesson. Try each one, then press Show answer to check.

How to use this review

Do three or four sections at a time instead of all at once. Write your answers before you check them; for questions that ask you to write a sentence, the model answer is one possibility, and yours can be different and still correct if it does the same job. For every question you miss, write down why (did not know the term? misread the question? rushed?) and reread that lesson's worked example. Finish with the 10-question quiz.

The unit as one essay-writing processDECODEtask verb,audience,criteria(L1)GENERATEquestions,loops, aworkingthesis (L2,L4)ORGANIZEpattern,claim spine,pre-draftcheck (L3)DRAFTliteraryessays andarguments(L5-L9)CRAFTvoice,diction,sentences,perspective(L10-L12)REVISEto criteria,more complex(L13)
The lessons follow the order you will use for any essay: decode, generate, organize, draft, craft and revise.

Decoding Grade 11 Essay Tasks: Topic, Purpose, Audience and Task Verbs

1

What does the task verb to what extent require?

2

Name the five parts of the rhetorical situation.

3

Give two implicit requirements of a Grade 11 literary essay.

Generating and Focusing Ideas: From Questions to a Working Thesis

1

Classify: Why does the poem end with a threat? (Level 1, 2 or 3)

2

What is looping?

3

Rewrite with a tension using although: The story is about a lonely boy.

Organizing and Reviewing Essay Content: Patterns, Sentence Outlines and the Pre-Draft Check

1

What is a claim spine and how do you test it?

2

Which pattern suits an argument whose strongest reason should come last?

3

Name the four questions of the pre-draft check.

Literary Analysis I: Close Reading, Annotation and Turning Observations into Claims

1

Put the ladder in order: interpret, claim, observe, find a pattern.

2

Where does In Flanders Fields shift from description to command?

3

Turn this label into an annotation: archaic diction, line 13.

Literary Analysis II: Complex Theses and Layered Body Paragraphs

1

Format correctly: "We lived, felt dawn, saw sunset glow, Loved and were loved" (Line 7-8).

2

Name the four layers of layered analysis.

3

Make this thesis complex: The poem uses a torch metaphor.

Literary Analysis III: The Comparative Essay

1

What does a comparative thesis need beyond they are similar and different?

2

Rewrite with whereas: McCrae's Dead want the fight continued. Owen calls the slogan a lie.

3

Why is point-by-point usually better than the block method for a comparative essay?

Literary Analysis IV: Introductions, Alternative Interpretations, Conclusions and the Full Draft

1

What are the four steps of a they say / I say introduction?

2

Name the four moves for an alternative interpretation.

3

In a 75-minute in-class essay, how long should you spend planning?

Two essays at a glanceLITERARY ANALYSIS ESSAY•Thesis: a complex claim about how a textcreates meaning•Evidence: embedded quotations with lineor page citations•Analysis: layered (word, line, pattern,thesis)•Other views: an alternativeinterpretation, answered•Voice: formal, literary present tenseARGUMENTATIVE ESSAY•Thesis: a qualified claim of policy orvalue•Evidence: credible research (data,expert testimony, examples)•Reasoning: warrants made explicit•Other views: a steel-mancounterargument, answered•Voice: formal, adjusted to the audience
The two essay forms share a thesis, evidence, analysis and an answer to other views; what counts as evidence and how other views are handled differ.
Just for fun

Two essays walk into a classroom. The literary essay says, I can prove this with a quotation. The argumentative essay says, I can prove this with a study. The persuasive teenager in the back says, I can prove I need a later curfew with a qualifier, a warrant and a steel man. Nobody has ever said that, but it would work better than Everybody else is allowed.

The Argumentative Essay I: Claims, Evidence and Warrants

1

Label as fact, value or policy: Ontario should require a cooking course to graduate.

2

What is the warrant in Toulmin's model?

3

Name the four tests for evidence.

4

What should you do with a statistic you cannot trace to a source?

The Argumentative Essay II: Counterarguments, Appeals, Fallacies and Audience

1

What is a steel man?

2

Name the three ways to answer a counterargument.

3

Name the fallacy: Either we ban phones or nobody will learn.

Voice, Tone and Diction in Essays: Sounding Like a Confident Critic

1

Rewrite formally: You can tell the poem is kinda sad.

2

Calibrate: This proves everyone feels guilty.

3

Revive the zombie nouns: The decision of the board was the approval of the plan.

Sentence Craft and Fluency for Essays: Subordination, Emphasis, Rhythm and Cohesion

1

Which clause carries the main idea in Although it costs money, it works?

2

Write a periodic sentence about the end of a hockey game.

3

Fix the vague This: The speaker addresses "you." This is important.

Critical Literacy in Your Own Essays: Perspective, Bias and Missing Voices

1

Name the five stages where perspective enters an essay.

2

Rewrite neutrally: Lazy officials ignored the lake.

3

What is the best source for a First Nation's view on a local issue?

Revising and Producing Drafts: Making an Essay More Complex to Criteria

1

Put in revision order: words, whole essay, sentences, paragraphs.

2

What is thesis drift?

3

Give one change that makes a draft more complex rather than just more correct.

Check your understanding

Quiz

1.

A prompt asks To what extent is the narrator reliable? The best thesis:

2.

Which is the strongest complex literary thesis?

3.

Which quotation is formatted correctly?

4.

In point-by-point comparison, each body paragraph:

5.

In the Toulmin model, which part links the evidence to the claim?

6.

A steel man is:

7.

Which sentence is in a formal academic register with a calibrated claim?

8.

In Although a later start costs money, it supports learning, the writer's main point is that a later start:

9.

Which reflection shows insight about the writer's perspective (expectation 2.5)?

10.

Which should you revise first?

For parents and teachers

How to use the review results:

  • Misreading prompts or task verbs, or writing for the wrong reader: revisit Lesson 1 (Decoding Grade 11 Essay Tasks).
  • Obvious or overly broad theses: Lesson 2 (Generating and Focusing Ideas).
  • Disorganized essays, topic labels instead of claims, missing requirements: Lesson 3 (Organizing and Reviewing Essay Content).
  • Labelling devices without effects, or stopping at observation: Lesson 4 (Literary Analysis I).
  • Simple theses, dropped-in quotations, citation and slash errors, vague effect words: Lesson 5 (Literary Analysis II).
  • Comparisons that discuss one text at a time: Lesson 6 (Literary Analysis III).
  • Generic introductions, history instead of analysis, summary conclusions, timed-writing trouble: Lesson 7 (Literary Analysis IV).
  • Absolute claims, weak or invented evidence, missing warrants: Lesson 8 (The Argumentative Essay I).
  • Straw-man counterarguments, fallacies, voice not suited to the audience: Lesson 9 (The Argumentative Essay II).
  • Slang, inflated words, overclaiming or over-hedging: Lesson 10 (Voice, Tone and Diction).
  • Choppy or rambling sentences, buried main ideas, vague this: Lesson 11 (Sentence Craft and Fluency).
  • Loaded words, one-sided sources, vague reflections: Lesson 12 (Critical Literacy in Your Own Essays).
  • Revision that only fixes spelling, or theses that no longer match the essay: Lesson 13 (Revising and Producing Drafts).

Research and citation, other writing forms, spelling, grammar, punctuation, proofreading, publishing and reflecting on writing are reviewed in the sibling unit Writing: Research, Forms and Conventions. The essay skills here lead directly into Grade 12 University English (ENG4U), where students write longer literary essays that often use secondary sources and critical perspectives.