Grade by Grade
Writing · Writing: Essays and Literary Analysis

Organizing and Reviewing Content: Argument Maps, Outlines and the Pre-Draft Audit

1.4 1.5About 70 minutes
Learning goals
  • I can sort my ideas into an argument map with a thesis, reasons, evidence and objections.
  • I can choose an organizational strategy that develops my argument instead of following plot order.
  • I can write a sentence outline in which each paragraph builds on the one before.
  • I can audit my content before drafting: relevant, accurate, complete, varied and meeting every requirement.

Words to know

argument map
A diagram showing a thesis, the reasons that support it, the evidence for each reason and the main objections.
sentence outline
An outline in which each paragraph is represented by a full-sentence claim, not a topic label.
escalating structure
An order in which each paragraph adds complexity, so the argument deepens as it goes.
concession
Admitting that part of an opposing view is true before explaining why your claim still holds.
signposting
Words and sentences that tell the reader where the argument is going (A second reason..., This raises a further question...).
pre-draft audit
A check, before drafting, that your ideas and evidence are relevant, accurate, complete, varied and on-task.

Order is an argument

In Grade 11 you built a claim spine (the thesis plus topic sentences read in a row) and chose a pattern such as order of importance or point-by-point comparison. At Grade 12 the question becomes sharper: does each paragraph move the argument forward, or just sit beside the others?

The most common problem in senior essays is the guided tour: paragraphs follow the order of the text (beginning, middle, end) instead of the logic of the argument. The writer ends up summarising, and the thesis is repeated instead of developed.

This lesson organises the Ozymandias working thesis from the previous lesson: Although Ozymandias mocks a king's faith that stone and words can preserve his power, it quietly places its own faith in art, suggesting that the artist, not the ruler, wins the contest with time.

An argument map: the thesis on top, reasons below, evidence at the rootsTHESIS: art, not power, winsthe contest with timeR1: the king trustedstone and words“My name isOzymandias…” (10)R2: time reverseshis boast“Nothing besideremains” (12)R3: the sculptor'sjudgement survives“The hand thatmocked them” (8)OBJECTION: the statue is broken too, so art decays→ answered by a qualification in the last body paragraph
Every reason needs its own evidence, and the strongest objection belongs on the map too. If a branch has no roots (no evidence), it cannot hold a paragraph.

Step 1: map before you outline

An argument map sorts your notes by job:

  • Thesis at the top.
  • Reasons: the main claims that, together, prove the thesis. Usually three to five for a 1500-word essay.
  • Evidence under each reason: quotations, details, context, sources.
  • Objections: the strongest reasons a skeptic might disagree.

Notes that fit nowhere on the map are probably irrelevant, however interesting. Save them in a separate file.

Step 2: choose an organizational strategy

StrategyHow it movesBest for
Escalatingsimple to complex; each paragraph adds a layermost literary essays
Concession and refutationthe opposing view is admitted, then answeredcritically assess, to what extent
Problem and solutiona puzzle is set out, then explainedessays built on a contradiction
Lens by lensone critical lens per section, then a synthesismulti-lens essays
Point by pointboth texts in every paragraphcomparative essays
Five organizational strategies for Grade 12 essays.

Whatever you choose, avoid plot order unless the task is specifically about change over time, and even then organise by stages of an argument, not by chapters.

Plot order or argument order?PLOT ORDER (avoid)•Para 1: lines 1-5•Para 2: lines 6-8•Para 3: lines 9-11•Para 4: lines 12-14•Result: a guided tour that drifts intosummary; the thesis has to be repeated,not developedARGUMENT ORDER (aim for)•Para 1: the king's faith in stone andwords•Para 2: how time reverses the boast•Para 3: the sculptor's hidden judgement•Para 4: the poem as a monument of words•Para 5: objection (art decays too) andqualification
The same material can be arranged as a tour or as an argument. In argument order, each paragraph answers a question the previous one raised.

Step 3: the sentence outline

Write each paragraph as one full-sentence claim. Then test the outline with three questions:

  1. Read the claims alone, in order. Do they make a complete argument without the evidence?
  2. Check the links. Can you join each pair of claims with a logical word: because, therefore, however, this raises the question? If the only possible link is also, the order is probably a list.
  3. Check the build. Is the last body paragraph the most complex or most surprising? Endings carry weight.

Step 4: the pre-draft audit

Before drafting, review your content (expectation 1.5). Ask:

  • Relevant: does every piece of evidence support a reason on the map?
  • Accurate: are quotations copied exactly, with correct line or page numbers? Are facts about context checked?
  • Complete: does every reason have enough evidence (usually two or three pieces)? Is the strongest objection answered?
  • Varied: does evidence come from different parts of the text, and, if required, from different kinds of sources?
  • On-task: does the plan meet every condition: task verb, length, lens, number of sources, citation style?
Worked example

Let's write and test a sentence outline

Turn the argument map for Ozymandias into a sentence outline with an escalating structure and a concession, then audit it.

  1. Thesis: Although Ozymandias mocks a king's faith that stone and words can preserve his power, it quietly places its own faith in art, suggesting that the artist, not the ruler, wins the contest with time.
  2. Body 1: The inscription shows a ruler who believes that naming himself in stone will make his power permanent. (Evidence: lines 10-11.)
  3. **Body 2 (link: but):** Time reverses that boast, so the inscription now warns the Mighty of their own ruin rather than of the king's greatness. (Evidence: Nothing beside remains (12); the boundless, level sands (13-14).)
  4. **Body 3 (link: what does survive, then?):** What survives is the sculptor's reading of the king, whose double-edged mockery records cruelty that the king never meant to show. (Evidence: sneer of cold command (5); The hand that mocked them (8).)
  5. **Body 4 (link: this raises a question about the poem itself):** Shelley's sonnet passes the statue through a traveller and a speaker, making itself a second monument, built of words rather than stone. (Evidence: lines 1-2, the frame.)
  6. Body 5 (concession): Yet the statue is "shattered" and "half sunk," so the poem admits that art decays too; its claim is not that art is eternal, only that it outlasts power. (Evidence: lines 3-4.)
  7. Audit: relevant (every quotation supports a reason); accurate (lines rechecked against the text); complete (each reason has evidence, the main objection is answered); varied (evidence from the frame, the face, the inscription and the landscape); on-task (five body paragraphs fit about 1500 words).
  8. Link check: but, what survives then, this raises a question, yet. No also. The outline builds.

A five-paragraph sentence outline that moves from the king's intention to the poem's own status, with a concession that sharpens rather than weakens the thesis.

When the audit fails

  • A reason has one piece of evidence: return to the text, or merge the reason into another paragraph.
  • Evidence all comes from one spot: look for a pattern across the whole text.
  • No objection on the map: play the doubting game from the previous lesson.
  • **The outline needs also everywhere:** you have a list. Ask which claim depends on another, and reorder.
Hands-on activity

Sticky-note storyboard

You need: about 20 sticky notes or small paper squares, a pen, and a wall, fridge door or table.

  1. Choose a working thesis (from the previous lesson, or your current English assignment) and write it on one note at the top.
  2. Write each reason on its own note, and each piece of evidence on a smaller note or in a different pen.
  3. Arrange them as an argument map. Put objections on notes set off to the side.
  4. Now rearrange the reasons into two different orders (for example escalating and concession-and-refutation). Read each order aloud with linking words.
  5. Photograph the stronger order or copy it as a sentence outline.
  6. Run the five-question audit and mark any note that fails with a small X.

What to look for: at least two pieces of evidence under each reason; links stronger than also; the most complex claim near the end.

Just for fun

Try reading your topic sentences aloud in a dramatic movie-trailer voice: In a world... where a king trusted stone... one sculptor... had the last laugh. If the trailer makes sense, your essay probably does too.

Your turn

1

What is the guided tour problem?

2

Name the four parts of an argument map.

3

Which organizational strategy suits a to what extent prompt especially well, and why?

4

Your outline links every paragraph with also. What does that suggest?

5

Name the five checks in the pre-draft audit.

6

Turn this topic label into a full-sentence claim: Para 3: the sands.

More practice: warm-up

1

What goes at the top of an argument map?

2

How many reasons does a 1500-word essay usually have?

3

What is a concession?

4

Give two signposting phrases.

5

Where should the most complex claim usually go?

More practice: on your own

1

Audit this plan: Reason 2 has one quotation, from line 11. Reasons 1 and 3 also use line 11. Which checks fail, and how do you fix it?

2

Rewrite this outline in argument order: P1 stanza 1, P2 stanza 2, P3 stanza 3 for the thesis The poem's grief gradually turns into a demand.

3

Explain why an objection belongs on the argument map before you draft.

4

An interesting note about Shelley's friendship with Lord Byron does not fit any reason. What should you do with it?

5

Write a linking sentence between Body 2 and Body 3 of the worked example.

Challenge

1

Design a lens by lens outline (three body sections plus a synthesis) for an essay on a text you know, and explain what the synthesis must do.

2

Explain how the concession in Body 5 of the worked example makes the thesis more precise rather than weaker.

3

Argue whether plot order is ever the best organization for a literary essay. Give a case.

Check your understanding

Quiz

1.

Which outline is in argument order?

2.

In an argument map, an objection is:

3.

Which audit check fails if all your evidence comes from one stanza?

4.

If you can only link your paragraphs with also, the essay is probably:

5.

Which strategy best fits a critically assess prompt?

6.

Checking that each quotation is copied exactly with the right line number is the audit check for:

For parents and teachers

Big idea: This lesson covers expectations 1.4 (identifying, sorting and ordering main ideas and supporting details) and 1.5 (reviewing whether ideas and information are relevant, accurate, complete and appropriate before drafting).

How to help: ask your teen to read you only their topic sentences, in order. Can you follow the argument? Then ask which paragraph would fall apart if the one before it were removed: in a good argument, later paragraphs depend on earlier ones.

Common difficulties: organising by plot order; topic labels instead of claims; reasons with a single piece of evidence; forgetting objections; skipping the audit and discovering missing evidence at midnight before the deadline. The sticky-note activity works on any surface and helps visual learners see structure.