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A. Dance / C. Music · Music and Dance

Music and Dance: Unit Review

A1.1 A1.2 A1.3 A1.4 A2.1 A2.2 A2.3 A3.1 A3.2 C1.1 C1.2 C1.3 C1.4 C1.5 C2.1 C2.2 C2.3 C3.1 C3.2About 40 minutes
Learning goals
  • I can show what I learned about dance: responding to music, ideas from my writing and media, theme and variations, choreographic forms, how dances evolve, and dance and identity in the media.
  • I can show what I learned about music: the grand staff and keys, major and minor triads, the blues scale and improvising, tempo and articulation, complex ensembles, and music, identity and innovation.
  • I can explain my answers using dance and music words.

Words to know

elements of dance
Body, space, time, energy and relationship.
elements of music
Duration, pitch, dynamics and other expressive controls, timbre, texture and harmony, and form.

This review covers the whole Music and Dance unit: six dance lessons and six music lessons. Each section below matches one lesson. Try the questions, then check your answers. For questions that ask you to move, clap or sing, the answer tells you what to look for. Many creative answers can be right if you can explain them with dance or music words.

Dance: Responding to Rhythms and Music

1

How many counts are in a dancer's 8-count of 4/4 music, and how many bars?

2

What should a dancer do on a rest, and what kind of energy fits a loud drum hit?

3

Plan a movement for each note: half note, quarter, quarter.

Dance: Turning Your Writing and Media into Movement

1

Turn the literal gesture waving goodbye into abstract movement.

2

What are the first two steps for turning your own writing into dance?

3

Give an interpretation with evidence: two dancers start far apart and end side by side.

Dance: Theme and Variations, Isolations and Weight Transfer

1

Write jump, turn, kneel, reach in retrograde.

2

Isolation or weight transfer: a lunge? a head circle?

3

Why should a variation change only one or two things?

Dance: Choreographic Forms for Themes and Moods

1

Write the letters for ABA and rondo.

2

Describe wring and dab.

3

Which form fits a story about a problem that gets solved?

4

Write a reflection with a strength, an area for growth and a next step.

Dance: How Dances Change When People Move and Meet

1

Name the three external factors that change dances.

2

Which traditions blended to form Métis jigging?

3

Where and when did breaking begin?

Dance: Dance in the Media and Who You Are

1

Give one positive and one harmful way dance in the media can influence identity.

2

Name two critical questions for a dance video.

3

Why shouldn't you post your school's name in a dance video?

Bodyisolationweight transfer(lunge, leap, roll)Spacelevels, pathwaysconfined orlarge spaceTimepause, freezetempo, rhythmspeed changesEnergypercussive, fluidwring, dab, mouldfree flow, bindRelationshipunison, canonoppositioncall and response
Recap: the five elements of dance with the Grade 7 tools you used in this unit. Use these words when you explain your answers.

Music: The Grand Staff, Key Signatures and Accidentals

1

Name the bass staff lines and the treble staff spaces.

2

Name the major key and relative minor for 2 sharps.

3

Name the major key for 3 flats.

4

In a bar with no key signature: G♯, G, G♮. Name them.

Music: Major and Minor Triads

1

Build G major and G minor.

2

Is A C E major or minor?

3

Write I – V – vi – IV in C major.

C0D2E4F5G7A9B11C12136810half steps up from CC to E = 4 (major 3rd) · C to E♭ = 3 (minor 3rd) · C to G = 7 (5th)
Recap tool: count half steps on a keyboard, including the black keys. The shaded keys C, E and G make a C major triad: 4 half steps, then 3.

Music: The Blues Scale and Improvising on the 12-Bar Blues

1

Write the C blues scale.

2

Build the A blues scale using 3, 2, 1, 1, 3, 2.

3

Give two tips for improvising.

Music: Tempo, Articulation and Musicianship

1

Order from slowest to fastest: vivace, adagio, moderato.

2

What do marcato and tenuto marks ask for?

3

Where should a singer breathe?

Music: Listening to Complex Ensembles: Jazz, Gamelan, Choir and Orchestra

1

Name the four orchestra families.

2

Describe two features of gamelan.

3

Make this analytical: The choir was nice.

Music: Music, Identity and Innovation

1

How can music strengthen cultural identity?

2

What is oral tradition?

3

How did the piano and the electric guitar change music?

Just for fun

Why did the music teacher bring a ladder to class?

To reach the high notes! 🪜🎵

How to use this review

  • Do one or two sections a day instead of all at once.
  • Answer out loud or on paper before you check.
  • Mark any question you missed, and go back to that lesson's examples.
  • For movement and singing questions, perform for someone and ask them to check the answer's "what to look for".
Check your understanding

Quiz

1.

A freeze is ___.

2.

Which is abstract movement for pull?

3.

Moving only one shoulder while the rest of the body is still is ___.

4.

A B A C A is ___ form.

5.

Métis jigging grew from contact between ___.

6.

A key signature with 1 flat is ___.

7.

Which triad is minor?

8.

The C blues scale is ___.

9.

A wedge (^) over a note means ___.

10.

The piano could do something the harpsichord couldn't: ___.

For parents and teachers

Use the review to find which lessons need another look.

  • Trouble with beats, rests, freezes or percussive/fluid energy → revisit Dance: Responding to Rhythms and Music.
  • Trouble turning ideas into movement or supporting an interpretation → Dance: Turning Your Writing and Media into Movement.
  • Retrograde, isolation or weight transfer mix-ups → Dance: Theme and Variations, Isolations and Weight Transfer.
  • Confusing ABA, rondo, canon or narrative, or energy words like wring and dab → Dance: Choreographic Forms for Themes and Moods.
  • Unsure how migration and contact change dances → Dance: How Dances Change When People Move and Meet.
  • Seeing media as all good or all bad → Dance: Dance in the Media and Who You Are.
  • Bass clef, key signatures or accidentals → Music: The Grand Staff, Key Signatures and Accidentals.
  • Major vs. minor triads or Roman numerals → Music: Major and Minor Triads.
  • Blues scale or improvising → Music: The Blues Scale and Improvising on the 12-Bar Blues.
  • Tempo and articulation marks, or vague practice goals → Music: Tempo, Articulation and Musicianship.
  • Ensembles or opinions without musical terms → Music: Listening to Complex Ensembles.
  • Media, identity, oral tradition or inventions → Music: Music, Identity and Innovation.

For movement and performance questions, focus on whether your child can explain their choice with dance or music words; there is often more than one good answer.